Monday, February 18, 2013

My Musical life -- The Early Years 1953-1963

The day I was born the Billboard Magazine No.1 hit was Vaya con Dios by Les Paul & Mary Ford. The transistor radio had yet to be invented. Every home had a radio with vacuum tubes, as was the custom for decades in America. Radios in automobiles were ubiquitous. Television was established as the hot new technology with programming evolved to the level of I Love Lucy, The Honeymooners and the Ed Sullivan Show. Such was the state of the commercial broadcast environment.

As far as the state of community broadcasting, in 1946 Lewis Hill moved from Washington DC to the San Francisco Bay Area and began work toward creating the first listener supported non-commercial radio station in the United States. In 1949 Pacifica first goes on the air April 15 as KPFA 94.1 FM in Berkeley CA (FM was a novelty and never expected to be widely used). In 1953 KUHT in Houston becomes the first non-commercial educational TV station.

Music was common in my home environment by means of the commercial conduits mentioned above. My mother listened to the popular music of the time by tuning to the local AM station  KTSA in San Antonio, Texas. My father kept the radio in the car tuned to KONO AM.

I remember the hits from those years, many of them from semi-ethereal fever ridden funks of childhood illness with radio accompaniment. For some reason The Wayward Wind, by Gogi Grant (#1-1956) brings back memories of measles. Weekly trips to the Drive-in theater with my parents afforded opportunity to listen to the popular songs of the era over the window-hung speaker, between movies. This Ole House by Rosemary Clooney, and the other novelty song, Does Your Chewing Gum Lose It's Flavor stand out.

Television was an increasingly important source of musical exposure during the period. My mother would watch Liberace during the day, bringing piano music, and some classics into the home. My father liked to watch Lawrence Welk, Ed Sullivan, Andy Williams, Perry Como, and Porter Wagoner, providing a wide range of music. My sister, five years older than I, liked Everly Brothers, Righteous Brothers, and Motown. Me -- I liked cartoons. That brought me into contact with all styles of music. Betty Boop had early jazz, Popeye used hornpipes, and Warner Brothers, especially, Carl Stalling, introduced me to classical themes from Wagner to Mendelssohn.

Sometime late in this period, my father purchased a Curtis Mathis Console Black and White TV, with multi-band radio and automatic phonograph. I was fascinated by the 'Magic Eye' FM tuner (seen at left). At that time FM radio in San Antonio, Texas was 'easy-listening' or environmental music, meant to be used for elevator, doctor's office and mercantile atmosphere. Dad bought one of those classical music collections with '120 beloved melodies,' and his era music (Glenn Miller). I enjoyed school field trips to see the San Antonio Symphony Orchestra educational presentations.

As I was turning ten years old, many changes to my musical life were occurring  By 1963, the Beatles had become established as a major force in music. They had four #1 hits in the U.S. and were due to debut with a bullet on Ed Sullivan Show (Feb 1964).

Oh, and on my 10th birthday I got my first guitar as a present.

Monday, February 11, 2013

Album 65 - Larry Coryell & Philip Catherine - Twin-House

Larry Coryell & Philip Catherine– Twin-House - Elektra ‎– 6E-123 - 1977
Genre: Jazz

Tracks:
  1. Ms. Julie
  2. Home Comings
  3. Airpower
  4. Twin House
  5. Mortage On Your Soul
  6. Gloryell
  7. Nuages
  8. Twice A Week

Performers:
Guitar: Larry Coryell & Philip Catherine

Joy of Joys. This duo is spectacular. Larry from Beaumont, Texas, and Philip form Brussels, both were influenced by guitarists such as Charlie Christian, Django Reinhardt (obvious), Jimmy Hendrix, Wes Montgomery. Both have played with the likes of Stephan Grapelli, and Gary Burton.
Recorded at Olympic Sound Studios London
Remixed at Rüssl Studios Hamburg
Producer – Siegfried E. Loch
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This record had some mold from storage. I hope the infection is minimal throughout the collection.

Sunday, February 10, 2013

Album 64 - Arthur Rubinstein - Stanislaw Skrowaczewski, New Symphony Orchestra Of London, The ‎– Chopin, Concerto No. 1

Arthur Rubinstein– Stanislaw Skrowaczewski, New Symphony Orchestra Of London, The ‎– Chopin, Concerto No. 1 - RCA Victor Red Seal – LSC-2575-C - Unknown
Genre: Classical

Tracks:
  1. Allegro Maestoso
  2. Romanze. Larghetto
  3. Rondo. Vivace

Performers:
Unknown

Very little information was available for this album, besides what was on the cover.
"This recording was released to coincide with the series of ten Carnegie Hall Concerts, given by Arthur Rubenstein, between October 30th and December 10th, 1961." All of this is commemoration of the 25th anniversary of his arrival at Carnegie Hall.

Sunday, February 3, 2013

Album 63 - Graham Nash - Songs For Beginners

Graham Nash– Songs For Beginners - Atlantic – SD 7204 - 1971
Genre: Folk Rock

Tracks:
  1. Military Madness
  2. Better Days
  3. Wounded Bird
  4. I Used To Be A King
  5. Be Yourself
  6. Simple Man
  7. Man In The Mirror
  8. There's Only One
  9. Sleep Song
  10. Chicago
  11. We Can Change The World

Performers:
Acoustic Guitar – Graham Nash (tracks: Military Madness to Be Yourself , Man In The Mirror to We Can Change The World )
Backing Vocals – Clydie King (tracks: There's Only One , Chicago , We Can Change The World ), Dorothy Morrison (tracks: There's Only One , Chicago , We Can Change The World ),
Graham Nash (tracks: Better Days , Simple Man ),
Rita Coolidge (tracks: Military Madness , Better Days , Simple Man , There's Only One , Chicago , We Can Change The World ),
Shirley Matthews (tracks: There's Only One , Chicago , We Can Change The World ),
Vanetta Fields (tracks: There's Only One , Chicago , We Can Change The World )
Bass – Calvin Samuels (tracks: Military Madness , Better Days , Be Yourself ), Chris Ethridge (tracks: Man In The Mirror, There's Only One , Chicago , We Can Change The World )
Cello – Dorian Rudnytsky (tracks: Simple Man , Sleep Song)
Drums – Johnny Barbata (tracks: Military Madness , I Used To Be A King , Be Yourself , Man In The Mirror, There's Only One , Chicago , We Can Change The World )
Lead Vocals, Written-By – Graham Nash
Organ – Graham Nash (tracks: Better Days , There's Only One , Chicago )
Performer [Whiskers] – Larry Cox (tracks: Better Days , There's Only One , Chicago , We Can Change The World )
Piano – Graham Nash (tracks: Better Days , Simple Man , Chicago , We Can Change The World ),
Joe Yankee (tracks: Better Days , Man In The Mirror),
Rita Coolidge (tracks: Be Yourself , There's Only One )
Steel Guitar – Jerry Garcia (tracks: I Used To Be A King , Man In The Mirror)
Tambourine – Graham Nash (tracks: Chicago , We Can Change The World )


Produced the year I graduated from high school, and began college. I was already a fan of the Hollies, for years, and had been very fond of Crosby, Stills, and Nash from their initial album, and the performance at Woodstock. I think I bought the album much later, but remember first seeing it at the house of a lady friend in college.

Album 62 - Django Reinhardt - Django Reinhardt Volume III

Django Reinhardt– Django Reinhardt Volume III - Archive Of Folk & Jazz Music – FS-255 - 1970
Genre: Jazz

Tracks:
  1. Minor Swing
  2. Blues En Mineur
  3. Dinette
  4. Topsy
  5. Stockholm
  6. Vendred 13
  7. Belleville
  8. Song D'Automne
  9. Swing 39
  10. Swing 49
  11. Blues Primitif
  12. Django Blues
  13. Sweet Atmosphere
  14. Del Salle

Performers:

Certainly Stephane Grapelli played violin, and possibly clarinet on this. Django's brother, Joseph is heard here on guitar. Otherwise, I have no other information. Django died the year I was born. I did not hear his music (and know who he was) until I was out of college.
_________________________________________________
I have more of Django's music in my collection than any other artist. Beyond the transcriptions made during this process, I began with ten albums (from a boxed set) already in iTunes.

Heart Hiatus

I made a pretty good start in December. And a month ago yesterday, I made my last post for that series. That was for album 61.

Then came the interruption. A heart attack and subsequent triple bypass operation. The process that put everything on hold until now.

Even though I am recovering, the physical demands of performing these operations required to transcribe these albums into suitable digital form for importing into my iTunes library, is not that demanding. so I can begin again slowly on my path to completion.

Wednesday, January 2, 2013

Album 61 - Charles Earland - Odyssey

Charles Earland – Odyssey - Mercury – SRM-1-1049 - 1976
Genre: Jazz

Tracks:
  1. Intergalactic Love Song
  2. Sons Of The Gods
  3. Cosmic Fever
  4. From My Heart To Yours
  5. We All Live In The Jungle
  6. Phire
  7. Journey Of The Soul

Performers:
1 - Bass – Ron Carter
Congas, Percussion – Lawrence Killiam
Drums – Abe Speller,  Howard King
Guitar – John Abercrombie, Robert Lowe
Synthesizer [Arp Odessey] – Richard Himsvark
Synthesizer [Arp Pro-soloist, Arp String Ensemble], Electric Piano, Pedalboard [Echo-plex] – Charles Earland
Written-By – Charles Earland

2 - Bass – Billy Colburn
Congas – Lawrence Killiam
Drums – Abe Speller
Guitar – Jack Turner
Lead Vocals – Arthur Grant
 Percussion – Hoséa Cheó Santos
Synthesizer [Arp Pro-soloist, Arp String Ensemble, Axe Arp], Organ, Clavinet – Charles Earland
Written-By – Charles Earland

3 - Bass – Ron Carter
Drums – Howard King, Norman Connors
Guitar – John Abercrombie, Robert Lowe
 Synthesizer [Arp Odessey] – Richard Himsvark
Synthesizer [Arp Pro-soloist, Arp String Ensemble], Electric Piano, Pedalboard [Echo-plex] – Charles Earland
Trumpet [Electric] – Randy Brecker
Violin – Michał Urbaniak
Written-By – Charles Earland

4 - Backing Vocals – Charles Earland, Gene Skinner, Robert Brooks (2), Vernon Brown, Jr.
Bass – Billy Coburn
Congas – Lawrence Killiam
Drums – Abe Speller
Guitar – Jack Turner
Percussion – Hoséa Cheó Santos
Synthesizer [Arp String Ensemble], Electric Piano – Charles Earland
Written-By – Charles Earland

 5 - Backing Vocals – Charles Earland, Gene Skinner, Robert Brooks (2), Vernon Brown, Jr.
Bass – Billy Coburn
Congas – Lawrence Killiam
Drums – Abe Speller
Guitar – Jack Turner
 Percussion – Hoséa Cheó Santos
Synthesizer [Arp String Ensemble], Electric Piano – Charles Earland
Written-By – Charles Earland

6 - Bass – Billy Coburn
Congas – Lawrence Killiam
Drums – Abe Speller Guitar
Lead Vocals – Jack Turner
Percussion – Hoséa Cheó Santos
Saxophone [Tenor] – Arthur Grant
Synthesizer [Arp Pro-soloist, Arp String Ensemble, Axe Arp], Electric Piano – Charles Earland
Written-By – Jack Turner

7 - Bass – Ron Carter
Congas, Percussion – Lawrence Killiam
Drums – Abe Speller, Howard King
Guitar – John Abercrombie, Robert Lowe
Synthesizer [Arp Odessey] – Richard Himsvark
Synthesizer [Arp Pro-soloist, Arp String Ensemble], Electric Piano, Organ, Pedalboard [Echo-plex] – Charles Earland
Trumpet [Electric] – Randy Brecker
Violin – John Blair
Written-By – Charles Earland

,

Electronic Jazz Fusion. It is not in my mainstream of music, but with Ron Carter, John Abercrombie, Randy Brecker,  and Billy Cobham as participants, it is worthy of a place in my collection.

Album 60 - Lester Young - The Lester Young Story Volume 1

Lester Young– The Lester Young Story Volume 1 - Columbia – CG 33502 - 1976
Genre: Jazz

Tracks:
  1. Shoe Shine Boy
  2. Shoe Shine Boy (Alt.)
  3. Evenin'
  4. Boogie-Woogie
  5. Oh Lady Be Good
  6. He Ain't Got No Rhythm
  7. This Year's Kisses
  8. Why Was I Born
  9. I Must Have That Man
  10. Sun Showers
  11. Yours And Mine
  12. Mean To Me
  13. Mean To Me (Alt.)
  14. Fooling Myself
  15. Easy Living
  16. I'll Never Be The Same
  17. I've Found A New Baby
  18. I've Found A New Baby (Alt.)
  19. Me, Myself And I Are All In Love With You
  20. Me, Myself And I Are All In Love With You (Alt.)
  21. A Sailboat In The Moonlight
  22. Born To Love
  23. Without Your Love
  24. Without Your Love (Alt.)

Performers:

Recordings date between 1936-37, and show Young playing in Teddy Wilson's orchestra (with Benny Goodman and Billie Holliday on vocals), The Jones-Smith inc (with Count Basie on Piano) and the Billie Holliday Orchestra.



A mono recording with some Billie Holliday tracks.One for the archives.

Album 59 - Dexter Gordon - Great Encounters

Dexter Gordon– Great Encounters - Columbia – JC 35978 - 1978
Genre: Jazz/Bop

Tracks:
  1. Blues Up And Down
  2. Cake
  3. Diggin' In
  4. Ruby My Dear
  5. It's Only A Paper Moon

Performers:
George Cables - Piano
Curtis Fuller - Trombone
Eddie Gladden - Drums
Dexter Gordon - Composer, Primary Artist, Sax (Tenor)
Johnny Griffin - Sax (Tenor)
Eddie Jefferson - Vocals
Rufus Reid - Bass
Woody Shaw - Trumpet



Nice Jazz. Bop. Tracks 1 and 2 recorded live at Carnegie Hall September 23, 1978. All others recorded at CBS studios, NY, NY.

Album 58 - Memphis Slim - And Buddy Guy ‎– Southside Reunion

Memphis Slim– And Buddy Guy ‎– Southside Reunion - Warner Brothers-BS 2646 - 1972
Genre: Blues

Tracks:
  1. When Buddy Comes To Town
  2. How Long Blues
  3. Good Time Charlie
  4. You Called Me At Last
  5. Ain´t Nothing But A Texas Boogie
  6. You're The One
  7. No
  8. Help Me Some
  9. Rolling And Tumbling
  10. Ain´t Nothing But A Texas Boogie

Performers:
Memphis Slim
Buddy Guy
Junior Wells

Boogie Woogie Blues piano would be enough, but add the great Buddy Guy (listed as Jimi Hendrix's favorite guitar player) and the prodigious Junior Wells on Harmonica, and well you have a delightful combination.


Album 57 - Robert Wyatt - 1982-1984

Robert Wyatt– 1982-1984 - Rough Trade – RTSP 25 - 1984
Genre: Fusion

Tracks:
  1. Shipbuiding
  2. Round Midnight
  3. (Everything Seems To Bring) Memories Of You
  4. Amber & Amberines
  5. Biko
  6. Te Recuerdo Amanda
  7. Yolanda

Performers:
Performer [All Instruments] – Robert Wyatt


ShipBuilding was co-written by Elvis Costello. Though he is not listed as a performer I do recognize his voice.

I had previously transcribed one side of this album using ith Ion USB turntable. I decided to replace that transcription using the DAK system.

Some of the tracks on this album duplicate tracks on the album Nothing Can Stop Us (Album 20).

This album ended up in my collection as an inadvertent pilferage from the record library at the FM radio station where I worked in the 80s and 90s. The note scrawled on the jacket reads: "One of the great artists of the century".


Album 56 - Budapest String Quartet - Beethoven - String Quartets Op 18

Budapest String Quartet– Beethoven - String Quartets Op 18 - CBS Masterworks- MS 6076 - Unknown date
Genre: Chamber Music

Tracks:
  1. No. 5 in AM Op. 18-5- Allegro
  2. No. 5 in AM, Op. 18-5-enuetto
  3. No. 5 in AM, Op. 18-5-Andante cantabile
  4. No. 5 in AM, Op. 18-5-Allegro
  5. No. 6 in BbM, Op. 18-6-Allegro con brio
  6. No. 6 in BbM, Op. 18-6-Adagio ma non troppo
  7. No. 6 in BbM, Op. 18-6-Scherzo. Allegro
  8. No. 6 in BbM, Op. 18-6-La alinconia. Adagio

Performers:
[Budapest String Quartet]
Cello – Mischa Schneider
Viola – Boris Kroyt
Violin – Alexander Schneider
Violin – Joseph Roisman

I Could not find information about this release on the internet.

Album 55 - The Charlie Watts Orchestra - Live At Fulham Town Hall

The Charlie Watts Orchestra– Live At Fulham Town Hall -
Columbia – FC 40570 - 1986
Genre: Jazz

Tracks:
  1. Stomping At The Savoy
  2. Lester Leaps In
  3. Moonglow
  4. Robbins Nest
  5. Scrapple From The Apple
  6. Flying Home

Performers:
Bass – Dave Green, Ron Mathewson
Cello – Jack Bruce
Clarinet, Flute – Olaf Vass
Conductor, Arranged By – Alan Cohen (5)
Percussion – Bill Eyden, Charlie Watts, John Stevens (2)
Piano – Stan Tracy
Producer – Charlie Watts, John Stevens (2)
Saxophone [Alto] – Peter King (2), Ray Warleigh, Willie Garnett
Saxophone [Baritone] – Gail Thompson
Saxophone [Tenor] – Alan Skidmore, Bobby Wellins, Courtney Pine, Danny Moss, Don Weller,
Evan Parker
Trombone – Annie Whitehead, Chris Pyne, John Picard, Paul Rutherford (2)
Trumpet – Colin Smith, Dave Defries, Harry Beckett, Jimmy Deuchar, John Huckeridge,
Steve Sidwell, Ted Emmett
Vibraphone – Bill Lesage, Jim Lawless


Charlie Watts, best known as the drummer for the Rolling Stones --quiet, cheerful and competent. A lover of Jazz, admits he got the best band he could buy to fulfill a fantasy. I am glad he made the effort.